2nd Year

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Concluding with a Show…

The set up of my working I thought was going to take a lot longer than what it actually did. In total it took about two hours giving myself enough time to help do small jobs around the studios and help peers with the set up of their own work.

Taking a lot less time to set the work up is probably down to planning that had commenced before the show and knowing how it would look.

Initially, I was given a different space than the one I have now. The space I had was slightly too small for all three pieces, however, the space I have now has given that extra bit.

Below is the map with my previous space and my current space.

Show Map

As the new space is now by the main entrance/exit it allows it to be more visible and seeks more attention and this would have not been the case if it stayed in the original place.

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The arrangement as I did state previously did become a random one. It did not follow any of the arrangements that I created in my sketchbook and down to my own personal preferance, this is the stronger one.

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Overall, I am extremely pleased with what I have produced in my first year of my degree. I have created a body of work that explores my own and societies obession and idolisation towards the celebrity world. My work has shown the influences that idols have on a person and how it can change them physically and mentally.

Tate Modern Visit March 2017

BORIS MIKHAILOV- RED

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This piece of work I have seen several times before at the Tate Modern however when visiting it this time I was at a point in my own practice where I wanted to start showing a connection in the work.

Red explores diverse scenes and subjects based in Ukraine about political and military parades and also gives snapshots of families and friends showing emotional connections towards one another all of this aside none of the pictures has a significant event connected to them the reoccurring theme within all of the images is the colour RED!! From reading the description I became apparent that the red represented the Soviet. In Russia red is seen as beauty, blood and the flag, however, it is also about communism and quite possibly this is what the work is about.

To have a reoccurring factor in your work is one that will begin to take place in mine. It shows connection and uniformity in any work that is created and could quite possibly be shown by using:

  • colour
  • subject
  • location
  • content

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Summative Assessment June 2017

Contextualisation

Picasso –

Gillian Ayres – National Museum Cardiff 2017

David LaChapelle.

Jeff Koons NOW – Newport Street Gallery   &  Tate Modern Visit March 2017

Do Ho Suh: Passage/s – Victoria Miro (March 2017)


Documentation

Painting Collage – A Shaped Painting

Light is Colour [Influenced Field Final Piece]

A post documenting a new material skill that you have learnt through the year. & Indoor Suns #2

A post documenting a piece of work that failed in some way, or did not turn out as you originally planned.

Art is in Popculture: [Key Moment In Work]  &  Next:


Final Pieces

Subject

  1. /Bold & Striking – Outcome 1  –  / Chosen Imagery – Outcome 1.  –  / Bold & Striking – Arrangements.
  2. // Layering – Outcome 2  –  // Layering 2 -Outcome 2

Field

  1. Individual Piece.  –  Developing Piece

Concluding with a Show…

 

Developing Piece

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I was looking at the final piece and it didn’t look stable and wasn’t very in the way the prints were mounted.

To make it stronger, I will mount the prints onto poly-board instead of cardboard strengthening the prints and will increase the lifetime of them

As mentioned in Sean’s feedback the projected photographs are a lot stronger than the screen prints. I agree with what has been said however, I will still submit the screen print version as I believe this meets the requirements of the brief as I have been able to bring a technique learnt during field into my outcome and also I have been able to bring my own practice into it.

Orlan.. A woman of difference.

0dd4d34f237e47ca1985f016cffbb156Orlan, an artist that shocks, makes heads turn and makes you owe in amazing. All of this is shown through the dedication she has to her work and how far she will actually go to show self-expressions by botching her body. Surgeons have done cosmetic surgery on her to make her look like the Mona Lisa and she has also offered skin grafts to celebrities like Madona.

In a Guardian article, it states that an ectopic pregnancy is what started her creative path, the surgeon that performed the surgery on her was a ‘priest’ to her. Her crew were there to film and the idea of surgery was to play an important part in her work. She explains “Pain is an anachronism. I have great confidence in morphine.”

Her career is about rebirth and re-inventing herself with technology and going under the knife, changing her appearance. May would question the reason behind these surgeries and why? Is she doing it for her appearance? For self satisfaction? No, she proudly states “my goal was to be different, strong; to sculpt my own body to reinvent the self. It’s all about being different and creating a clash with society because of that. I tried to use surgery not to better myself or become a younger version of myself, but to work on the concept of image and surgery the other way around. I was the first artist to do it,” From this statement, it shows an artist taking Western art to a new level and making herself a walking gallery.

The work Orlan has performed on herself is linked to the idea of my practice by becoming something you are not. Becoming a being that is strong, striking and confident. Also being influenced by a figure/ thing to become different and to be unique.

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Warhol & His Factory

The fascination with Warhol grows deeper as I read more and research more work. Much of his work wasn’t made by himself he usually had a team that would help and he sure would need it to make humungous prints. However, aside from his practice, Warhol had created this scene/ environment where aspiring artists would surround Warhol creating an art circle.

The photographs above were taken by Stephen Shore who captured moments from inside The Factory over three years where secrets would be revealed in years to come.

“Contrary to the pop-culture mythmaking around the art studio that has prevailed in the years since, the world the photographs depict isn’t one of the glamorous parties and anarchic debauchery. Instead, we see Edie Sedgwick using the Factory’s only payphone, Lou Reed splayed on a couch like a gangly teenage boy, and even Nico sitting at Shore’s parents’ kitchen table, being fed matzohs by his mother. These are photos of quiet, bored moments, as well as the hard work of Warhol’s constant processes of making: silk-screening, shooting films, installing exhibitions, and only the occasional party.”

The paragraph explains that pop-culture isn’t what communities think it is and that it is the complete opposite of the ideology that has been created. It shows these celebrities and artists involved with the pop culture are your regular everyday person once behind closed doors. It proves that these people have different personas that are seen by different people.

Playing with persona’s will be involved in future work that I plan on creating whether that be during this project or future ones. They question is though how can I create an atmosphere where people will be able to get the hint to relax and rewind, however, create a different persona when confronted by people that are out of this environment.

 

Factory records: Andy Warhol’s 1960s captured by Stephen Shore – in pictures

Behind the walls of Andy Warhol’s secretive Factory

Andy Warhol Tate