Level 5 – Summative Assessment

Personal Statement

Field Experience


1.A post that evidences the material and conceptual exploration and thinking that initiated and led to the development of your own original artwork(s).

2. A post that documents some of the key aspects of the Site Venue project that you participated in.

3. A post that documents some of the technical skills you have learnt and developed over the course of this year with regards to the production of your artworks.

4. A key post of your own choosing that illuminates your studio practice.

5. A key post of your own choosing that illuminates your studio practice.


1. A post that demonstrates the most influential concepts you have gained from the Key Concept lecture series with a brief, but specific, description of how this has influenced your practice.

2.A post that demonstrates a key contextual contemporary reference you found through your continued research with your studio practice.A

3.A post that indicates your contextual research and thinking about how artists display and disseminate their work with regards to your final work presented for site venue project or your final exhibition.

4.A contextual post of your own choosing.

5.A contextual post of your own choosing.


Personal Statement 2_3

Throughout this year my practice has been driven by the magnetism towards celebrity culture and how my own idolisation has affected the physical and mentality of my own mind. By researching imagery based on personal interests such as Lady Gaga, colleges have been produced using saturated colours, text and images which are processed digitally and projected onto me and which I become the canvas. By painting onto myself I am able to demonstrate the interaction of the physical and digital and show how the two can act together to create strong images and challenge the ideas of a contemporary painting.

Outcome materials and Arrangement.

The materials and equipment that will be used will be as follows:

  • 3-metre fabric, thin enough to allow light to fall through
  • Projector
  • Hooks to hold the fabric up as it will be hung from the ceiling
  • Fishing wire to attach the fabric to the hooks
  • A shelf to be able to place the projector on to.

As I requested for a dark space I have been kindly given one, which is shown in the diagram below. However, I am sharing the space with another student whose work I am unfamiliar with. Due to this, I need to speak and organise how much space will be dedicated to each other. I need enough room for the fabric to fall and for the throw of the projection.



These are the final five images. Next, I need to choose the strongest one to be displayed for the exhibition/assessment.

The image will be displayed on a 3-metre piece of fabric that will be displayed within a dark space. This is to ensure that the projection will be strong enough. The fabric will be hung from the ceiling and will drop creating a curve which will allow the projection to warp and curve.

This is an example of the shape the fabric will hold.

Using rear projection, I will be able to hide the machine and give the illusion that this is a digital painting.

The Invisible Enemy Should Not Exist, Michael Rakowitz

Being displayed as 2018’s fourth plinth Rakowitz displays a replica of Lamassu a lost artefact which was taken from Mosul Museum and destroyed, with many others, by the Islamic State.

The sculpture takes the form of a winged bull which was seen as a protective God-like figure and was originally outside the entrance of Nergal Gate of Nineveh from 700BC. Placing the sculpture in Trafalgar in some ways seems like a form of protection with all of the attacks that have taken place in recent years within the city of London especially Westminster.

Being made of empty Iraqi date syrup cans, the Fourth Plinth Commission describes it as a “representative of a once-renowned industry decimated by the Iraq wars.”


The sign states that the Lamassu “can symbolically continue as guardian of a city’s past, present and future” which can create a direct connection with London and offer protection.




Pipilotti Rist

By displaying work using fusions of light, object and space Pipilotti Rist explores themes of feminism, the body and performance art by using analogue film and projection especially in her early works like “I’m Not The Girl Who Misses Much.” From watching the video I really don’t understand the reasoning behind it as I begin to get distracted by the heightened noises like the talking and also the movement of the figure.


The piece “Mother Floor” feels a lot stronger with the themes that Rist deals within “I’m not the girl who misses much” as the image is a lot clearer and it focuses more on the body as a performance by using different camera angels and strong colours.





Edited Images

By processing the images in photoshop I have been able to achieve colours that are high in saturated colours, strong contrasts between them all and remove all of the negative space within the photographs.

Throughout all of the images, I believe the colours that work the best and represent my idea of idolisation towards celebrity culture are the pinks, oranges, blues and yellows. These colours remind me of artificial colours that you would find in sweets and foods like smarties and a lot of American and Japanese candy. The clarity on the paint has really embossed the lumps, bumps and marks which begin to tye in the free-flowing materials that were used at the beginning of this project.