Wade Guyton’s Das New Yorker Atelier abridged version shows sensitivity to his surroundings and the inspection that takes place towards how the constant interaction between images, technologies, spaces and bodies are mutated and that this presents us with the portrait of the relationship between the digital world and us.
The collection of work shows the exploration of impact digital technologies has on image production and the artistic process in the 21st century. To create the work Guyton uses a process that is different to the traditional painting methods. He utilises computers, inkjet printers, scanners and iPhone cameras to create the large-scale paintings and also smaller pieces of work that are done on paper.
Purposely misusing the technology he explores the ‘anatomy of digital images’ by testing the abilities and limits of the tech. Sheets of material, mainly canvas, are folded and then run through the printers. The thickness of the materials and also the surfaces on which this all takes place work hand in hand with each other to create the technical glitches, distortions and smears and this creates the attention to the process.
The exhibit itself was seen as a single body of work and not a collection. This is an interesting factor as it is not a way of displaying that I have considered in the past. It makes sense as displaying the work as one it witnesses inception and fabrication.